Today, we introduce Cannupa Hanska Luger, an American artist whose creative actions build a framework for understanding, respecting and sharing indigeneity in the 21st century. In his hands, he holds hope for our collective future.
To introduce the new Reflecting Zemstvei podcast produced by local creatives in Chișinău, Moldova, Cathy Byrd and Olga Raileanu take listeners inside an intensive workshop experience that spanned three days in March 2025.
Today, we take you to Sharjah, in the United Arab Emirates, to share stories from the Sharjah Art Foundation’s 2024 March Meeting. Across three days, artists, curators, educators and writers from near and far converge to consider the power and purpose of collective creativity.
This episode considers the role that teaching artists play in shaping the art school experience. With Southeastern Louisiana University as our case study, we explore an important question: How does an artist in academia cultivate expressive opportunities for students while making time to deepen their own creative practice?
Where in the world can you express yourself freely, share cultural knowledge, test inventive art practices, and build a transnational creative community in only 10…
Today, we introduce a few of the artists and activists energizing the 2023 Art Prospect & TRASH-5 Festival in Kyrgyzstan. They give voice to the…
Counterpublic is listening to the city of St. Louis. In 2023, the young art triennial responds—with creative interventions that engage public memory.
We are privileged to share views from Sharjah Biennial 15 opening week. Watch for our continued posts and stories @freshartintl and Listen to episodes from SB15 anywhere you go for podcasts.
On the 30th anniversary of the Sharjah Biennial, we sit down with curator Hoor Al Qasimi to talk about the inclusive ethos in Thinking Historically in the Present.
Miami Art Week 2002—Across mediums, and particularly within painting, the traditional art circuit seemed to be weaving itself into a new ecosystem, one that values the digital, the absurd, the commercial, and the culturally relevant.
