Conceptual artist Charles Gaines talks about how he has addressed politics and race since the 1970s, through philosophy, abstraction and mathematics. In August 2019, Gaines receives the 60th Annual Edward MacDowell Medal, an award celebrating his high achievements in visual art, musical composition and performance, and his influence as a teacher, writer and curator. An artist whose work is described as formulating the DNA of the conceptual movement, Gaines is a key figure in contemporary art history.
Born in Charleston, South Carolina, Gaines was the first African American accepted into the School of Art and Design MFA program at the Rochester Institute of Technology. He now lives and works in Los Angeles. He’s been a faculty member at the California Institute of the Arts, for more than three decades.
As Charles Gaines prepares for high profile exhibitions in Los Angeles, San Francisco and London, through 2022, we reflect on what his art says to the world. Resolutely abstract in his practice, Charles Gaines refuses traditional representation—resisting both dominant racial stereotypes, and pressure from within the black community. His gridworks and manifestos deliberately counter deep-seated assumptions about the forms that nature and culture, art and music should take. Gaines shows us how art can embody conceptual, aesthetic, and personal freedom.
About the MacDowell Medal: A Haven for Artists since 1907, the MacDowell Colony in New Hampshire, was the first artist residency program established in the United States. Each year, the MacDowell Medal recognizes one individual for outstanding contributions to American arts and culture. Merce Cunningham, Louise Nevelson, Isamu Noguchi, Sonny Rollins, and Toni Morrison are among past honorees.
Sound Editor: Anamnesis Audio | Special Audio: Charles Gaines, Manifestos performance, 56th Venice Art Biennale
This episode features conversations recorded with Charles Gaines in 2015, 2017 and 2019.
Related Links: Charles Gaines | MacDowell Honors Visual Artist, Solidary & Solitary: The Joyner/Giuffrida Collection, Charles Gaines, Institute of Contemporary Art, Miami, Charles Gaines, The Studio Museum in Harlem, Biennale Arte 2015, All the World’s Futures