- en route to Fredrichsplatz, Kassel
- Ali Moraly performs Quatrain at documenta 14 opening event, Kassel
- Karlsaue Park in bloom
- Daniel Knorr, Expiration Movement
- Marta Minujín, The Parthenon of Books, in process
- Janine Antoni, Slumber
- Hiwa K, When We Were Exhaling Images
- Dimitris Tazamouranis at Fridericianum
- Banu Cennetoğlu, Being Safe is Scary
- Kendell Geers, Acropolis Redux (Director’s Cut)
- Stephen Antonakos, Remembrance
- view of Orangerie and Kassel
- Gauri Gill at Hessisches Landesmuseum
- Pélagie Gbaguidi, The Missing Link. Dicolonisation Education by Mrs Smiling Stone (2017)
- Nairy Baghramian, The Iron Table (Homage to Jane Bowles)
- Cecilia Vicuña at Neue Galerie
- Cecilia Vicuña performance, Neue Galerie
- Elizabeth Wilde collages, Neue Galerie
- Maria Hassabi, Staging: Solo
- Society of Friends of Halit, 77sqm_9:26min
- Máret Ánne Sara, Pile o’ Sápmi
- Rasheed Araeen, installation with Third Text and paintings
- Ibrahim Mahama, Torwache and Henschel-Hallen, Kassel
- performance beneath Hollandischer Platz
- Beau Dick, masks from Undersea Kingdom
- Stanley Whitney, painting detail, documenta Halle
- Guillermo Galindo, documenta Halle
- Igo Diarra and La Medina, Ali Farka Touré artifacts
- Britta Marakatt-Labba, Historja, documenta Halle
- Guillermo Galindo at Palais Bellvue
- William Pope.L, Whispering Campaign performance, Konigsplatz
- Naeem Mohaiemen, Two Meetings and a Funeral, film still
- Olu Oguibe, Das Fremdlinge und Flüchtlinge Monument (Monument for strangers and refugees, 2017)
- Otobong Nkanga, Carved to Flow, Neue Neue Galerie
- Joar Nango, installation detail
- Mournira Al Solh, from I Strongly Believe in Our Right to be Frivolous
- Michel Auder, The Course of Empire, KulturBahnhof
- Agnes Denes, Living Pyramid
- iQhiya, Monday, performance at KulturBahnhof
The sprawling experience of documenta 14 in Kassel, Germany, was the usual treasure hunt. Locals helped us find some of the more elusive venues, including two that were hiding underground! Berlin-based Ellen Eby shared some of our featured photographs, as well as observations on her first-ever encounter with the international art exhibition presented once every five years:
I made the trek from Berlin for my very first documenta with a native of Kassel, in his classic olive green Mercedes from the 1970s with matching green enamel hubcaps. He told me that documenta was the highlight of his adolescence in an otherwise sleepy community, and pointed out a few trees with the distinctive markers from Joseph Beuys’ 7,000 Eichen, the legacy of two prior documenta exhibitions, as we made our way into town.
While walking from venue to venue across Kassel, I found myself reflecting on the city’s aesthetic dichotomy. Kassel holds both the prettiest gardens I’ve seen in Germany and a plethora of really drab buildings constructed after World War II.
The hive of activity in Friedrichplatz led me to the shaded steps of Marta Minujín‘s Parthenon of Books where I felt like I’d been let in on a secret when I spotted Banu Cennetoğlu‘s twist on the traditional lettering above the entrance to Fridericianum. Despite documenta dedicating the entire building to spotlight contemporary Greek art from the EMST collection usually on view in Athens, the poorly annotated jumble of works inside seemed to emphasize the country’s ongoing political and economic struggles.
The work that impressed me most was Pélagie Gbaguidi’s The Missing Link. Decolonisation Education by Mrs Smiling Stone. Sheltered in a cheery and quiet hallway of the Neue Galerie, with shades obscuring the beautiful Kassel landscape, the multi-media installation raises questions around the colonial legacy of education. Evidence of the artist’s work in real classrooms includes loose leaf paper on which she cites the commandments of slavery—commandments that originated at the founding of Greece.
Related FreshVUE: documenta14/Athens. Related podcast episode: Marcus Gammel on Every Time A Ear Di Soun. Related article: Documenta Kassel: Using Art As Their Witness.