Miami Art Week 2002—Across mediums, and particularly within painting, the traditional art circuit seemed to be weaving itself into a new ecosystem, one that values the digital, the absurd, the commercial, and the culturally relevant.
In this prologue to our Fall 2020 Student Edition, University of Miami senior Melissa Huberman tells the story of Art in the Time of Corona—how the coronavirus pandemic has transformed our experience of art.
Robert Chambers on Art, Ancient Plants and New Technologies – At the AIRIE Nest, an art gallery inside the Visitor Center, we meet Robert Chambers…
SPRING 2020University of Miami AMS350HISTORY AND CULTURE OF SOUTH FLORIDAMapping Miami’s Contemporary Culture WEDNESDAYS, 3:35pm-6:05pmMerrick 214FLecturer: Cathy ByrdEMAIL: cxb1184@miami.eduOffice hours by appointment Once Upon a…
Here we go! Our TOP 20 LIST for Miami Art Week 2019 begins with episodes to whet your appetite for this December’s feast of international…
Our experts guide to Miami Art Week 2019, prepares you for the intense burst of local and international art that will transfigure the cultural landscape.
Today, we take you to Miami Beach, for a conversation with Brooklyn-based artist Ellen Harvey. Selected for a high profile public art commission at the Miami Beach Convention Center, Harvey seized the moment, to create what she calls “a hopelessly romantic call to action.” We sit down with her to talk about the endangered eco-system that informs Atlantis, her shimmering glass wall installation.
What does “creative resilience” mean for curators in the year 2019? One evening in April 2019, we decide to find out. Setting up a temporary recording studio in a poolside cabana, at a Miami Beach hotel, we sit down with a dozen curators and cultural producers to document their stories. In this marathon recording session, you’ll hear curatorial strategies for engaging new communities, increasing the visibility of underrepresented artists, and addressing some of today’s most pressing social, political and environmental challenges
Rodrigue Mouchez, founder of the artist-run curatorial platform known as AGUAS, talks about choreographing encounters with art.