University of Miami students Gretchell Cano and Luz Estrella Cruz explore the work of Haitian-born artist Edouard Duval-Carrié. They, along with the rest of the Miami Moves Me team, visit Duval-Carrié’s studio in the Little Haiti district. Listen to find out why the artist chose to call Miami home, and hear his views on how the Caribbean influences the city’s art and culture.
In this prologue to our Fall 2020 Student Edition, University of Miami senior Melissa Huberman tells the story of Art in the Time of Corona—how the coronavirus pandemic has transformed our experience of art.
Meet fresh voices from Miami. With educators Giselle Heraux and Jahné King, we talk about art, storytelling, and the next generation of creative podcasters. Heraux and King will set the stage for each episode in our Fall 2020 Student Edition.
In 2014, the Soul Rebels brass band played a musical manifesto facing a monument to confederate leader Robert E. Lee in New Orleans. Artist william cordova shares the story.
Originally published 2015, and refreshed in 2020, this issue includes conversations with curators, artists, and communities involved in contemporary art biennials in Santa Fe, New Orleans, and Montreal. Explore Issue 1 of our Research Guide, to remember the past and imagine the future of biennial-style exhibitions.
An economic and political system that favors private ownership, capitalism has sparked some profoundly creative pushback. In abandoned bank buildings, failed urban development projects and public squares, we discover artists and their communities in the U.S., Western Europe, South America, and Greece taking on the challenge—as whistleblowers, catalysts, educators, moneymakers, evangelicals, and documentarians.
Follow us to industrial sites where artists, curators, and architects have transformed industrial buildings and landscapes into innovative spaces for art.
Cathy Byrd: Fresh Art International presents conversations about creativity in the 21st century. This is Fresh Art International. I’m Cathy Byrd. No matter where we…