Freelance, filmmaker Juan Botta’s inventive Instagram film series, empathizes with the challenges of living and working in Puerto Rico today.
Today, we bring you sound art, in our second guest-curated segment with Contemporary Musiking Hong Kong. CMHK is an incubator for cross-disciplinary practices in music, sound and technology. In July 2018, composer and sound artist Samson Young introduced the first Hong Kong Mixtape, a set of nine sound art compositions. One year later, musician Him Cheung takes us back to the former British colony to share five sonic responses to highly volatile current events.
Nashville, Tennessee, Music City, U.S.A., aims to become known as the nation’s start up capital, too. Every year since 2012, Launch Tennessee hosts the 36|86 Entrepreneurship Festival to encourage new business endeavors. In 2019, Festival organizers invited Fresh Art International to curate a presentation around building the creative economy.
For a live audience gathered inside the historic Acme Seed & Feed building, we bring to the stage Nashvillian Harry Allen, boutique banker, Emily Best, Los Angeles based filmmaker and film producer, and Andrea Zieher, director of Tennessee’s near future contemporary art triennial. Our conversation reveals how the same risk taking and innovation that drive all startups fuel the most impactful creative entrepreneurship.
Miami’s Commuter Biennial aspires to draw our gaze from the center to the fringe—suggesting that art belongs to everyone, everywhere, in this metropolis.
Today’s conversations expand on the definition of the word “artist.” Hear how today’s culture makers are engaging in practices outside their studios in order to live and sustain creative lives.
Artist Regina Frank introduces our conversation with renowned video and performance artist Joan Jonas, an episode first released on June 5, 2012.
We introduce you to five artists whose primary medium is sound. Their diverse techniques and concepts demonstrate the versatility and power of sonic art.
New York-based artist Allison Zuckerman explains what drives her desire to distort conventions of female beauty and push art appropriation to a new high. In bright, bold collages, she mixes paint with pixels to create absurd and exaggerated hybrids—women claiming their presence and power in the world.