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Fresh Art International
CONVERSATIONS ABOUT CREATIVITY IN THE 21ST CENTURY
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Curator Cathy Byrd sparks conversations with culture makers from around the world for our podcast!

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Browse: Home   /   2019   /   Page 2
filmmaking Puerto Rico Juan Botta

Juan Botta Makes One-Minute Movies in Puerto Rico

October 29, 2019
freshart
Fresh Talk

Freelance, filmmaker Juan Botta’s inventive Instagram film series, empathizes with the challenges of living and working in Puerto Rico today.

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Hong Kong Mixtape 2019

Hong Kong Mixtape II

October 22, 2019
freshart
Fresh Talk

Today, we bring you sound art, in our second guest-curated segment with Contemporary Musiking Hong Kong. CMHK is an incubator for cross-disciplinary practices in music, sound and technology. In July 2018, composer and sound artist Samson Young introduced the first Hong Kong Mixtape, a set of nine sound art compositions. One year later, musician Him Cheung takes us back to the former British colony to share five sonic responses to highly volatile current events.

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Views—Toronto Biennial of Art Premiere

Views—Toronto Biennial of Art Premiere

October 18, 2019
freshart
Fresh VUE

These views reveal how the new Toronto Biennial of Art transforms the city with exhibitions and performances that engage with the urban landscape.

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Venice Art Biennale 2019

Contemporary Psyche on View in Venice Art Biennale

October 15, 2019
freshart
Fresh Talk

Philadelphia-based art historian Deborah Barkun talks about the pleasure and critical thinking that she discovers each time she explores the Venice Art Biennale and collateral events. Through her eyes, we understand that the venerated exhibition never fails to bring together a complex constellation of art encounters—always stimulating the senses and challenging the mind, always offering a glimpse into our contemporary psyche.

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building the creative economy

How to Build the Creative Economy

October 8, 2019
freshart
Fresh Talk

Nashville, Tennessee, Music City, U.S.A., aims to become known as the nation’s start up capital, too. Every year since 2012, Launch Tennessee hosts the 36|86 Entrepreneurship Festival to encourage new business endeavors. In 2019, Festival organizers invited Fresh Art International to curate a presentation around building the creative economy.

For a live audience gathered inside the historic Acme Seed & Feed building, we bring to the stage Nashvillian Harry Allen, boutique banker, Emily Best, Los Angeles based filmmaker and film producer, and Andrea Zieher, director of Tennessee’s near future contemporary art triennial. Our conversation reveals how the same risk taking and innovation that drive all startups fuel the most impactful creative entrepreneurship.

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Commuter Biennial Miami

Commuter Biennial Brings Public Art to Miami’s Margins

October 1, 2019
freshart
Fresh Talk

Miami’s Commuter Biennial aspires to draw our gaze from the center to the fringe—suggesting that art belongs to everyone, everywhere, in this metropolis.

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Making Art, Creating Culture

Making Art, Creating Culture

September 23, 2019
freshart
Fresh Talk, Visual Art

Today’s conversations expand on the definition of the word “artist.” Hear how today’s culture makers are engaging in practices outside their studios in order to live and sustain creative lives.

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Artist Playlist—Regina Frank Listens to Joan Jonas

Artist Playlist—Regina Frank Listens to Joan Jonas

September 16, 2019
freshart
Film, Fresh Talk, Performance Art, Visual Art

Artist Regina Frank introduces our conversation with renowned video and performance artist Joan Jonas, an episode first released on June 5, 2012.

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When Sound is Art—Five Sonic Stories

When Sound is Art—Five Sonic Stories

September 9, 2019
freshart
Fresh Talk

We introduce you to five artists whose primary medium is sound. Their diverse techniques and concepts demonstrate the versatility and power of sonic art.

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Paint and Pixels Power the Art of Allison Zuckerman

Paint and Pixels Power the Art of Allison Zuckerman

September 2, 2019
freshart
Fresh Talk

New York-based artist Allison Zuckerman explains what drives her desire to distort conventions of female beauty and push art appropriation to a new high. In bright, bold collages, she mixes paint with pixels to create absurd and exaggerated hybrids—women claiming their presence and power in the world.

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