In The Art of Obsolete Media, four Miami-based artists represent a penchant for the pre-digital among creatives the world over. Their bygone tech-infused pursuits emphasize the ongoing relevance of obsolete media in the making and experience of contemporary art.
What does “creative resilience” mean for curators in the year 2019? One evening in April 2019, we decide to find out. Setting up a temporary recording studio in a poolside cabana, at a Miami Beach hotel, we sit down with a dozen curators and cultural producers to document their stories. In this marathon recording session, you’ll hear curatorial strategies for engaging new communities, increasing the visibility of underrepresented artists, and addressing some of today’s most pressing social, political and environmental challenges
We revisit sonic encounters at the 57th Venice Art Biennale, when Italy was the first stop on our six-week Fresh Art International field expedition. In May 2017, preview days for the global exhibition presented an ephemeral opportunity to record the voices of curators, artists, and sounds of installations, performances and events. This episode features our experiences in the pavilions of France, Germany and Nigeria, and our walk through Egyptian artist Hassan Khan’s outdoor sound environment.
